Helen Divjak

Morgan and I collaborated over the course of the two years on a series of light-touch, mini-documentaries made for Seattle’s Museum of History & Industry (MOHAI). During that time, he was flexible, dependable and enthusiastic. He was the ideal team member for a project that had tight timelines and limited resources. I also admired him as a patient and creative teacher, as someone who was genuinely invested in helping other team members understand how to achieve the best shot or the final cut.